Живопись

Владимир Симановский
192939495000 Вермеер*
граф
(Graf van Johannes Vermeer)................


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У живописи - правила свои:
ни времени, ни вкусам не подвластна,
она диктует моду на века...
Как в музыке заветная строка...
О, Живопись!
Душа с Тобой согласна!
И я согласен:
жизнь так коротка.




*Christ in the House of Martha and Mary
lc. 1654–1655
Oil on canvas
160 x 142 cm. (63 x 55 7/8 in.)
National Gallery of Scotland, Edinburgh
inv. 1670

Mary and Martha are the most familiar set of sisters in the Bible. Both Luke and John describe them as friends of Jesus. Luke's story, though only four verses long, has been a source of interpretation and debate for centuries.

Preaching to the people, Jesus Christ arrived in Bethany, a town situated not far from Jerusalem beyond the Mount of Olives where a woman named Martha welcomed him into her home. Martha had a sister named Mary, who sat at the Lord's feet and listened to what he was saying. But Martha was distracted by her many tasks; so she came to him and asked, "Lord, do you not care that my sister has left me to do all the work by myself? Tell her then to help me." But the Lord answered her, "Martha, Martha, you are worried and distracted by many things; there is need of only one thing. Mary has chosen the better part, which will not be taken away from her" (Luke 10:38-42).

This subject was more popular among Flemish than Dutch artists, possibly owing to the religious connotations. In the religious context of the time, the scene illustrated one of the fundamental differences between Catholics and Protestants: the latter sought salvation in action while the former placed greater value on the contemplative life.